Isaiah 50-53
In 1979, a biblical scholar named John Eaton published a work entitled Festal Drama in Deutero-Isaiah. Eaton, following the work of Ivan Engnell and others, saw in the “Servant Songs” and other themes of chapters 40-55, 60-62 of Isaiah allusions to the themes of the Ancient Israelite New Year Festival (which I’ve so often mentioned on this blog). He argued that these passages formed a “prophetic re-modelling” of the pre-exilic temple rituals performed during the festival. Essentially, these chapters apply the themes of the festival, which were repeated annually, to actual historical events.
In order for us to recognize these “festal” themes in the book of Isaiah, it is necessary to be familiar with the motifs that are associated with the hypothetical New Year festival. While I can’t go into them fully here, I will share a brief outline. The basic idea behind the festival is that it is a time for the celebration of the divine kingship of Yahweh, and includes a dramatic representation of Yahweh’s victory over the Chaotic Sea and/or Dragon, his ascension to his Temple and enthronement there, his judgment of the nations, and inauguration of his reign of peace as king over the whole earth. According to Eaton’s theory, the festival also included parallel rituals involving the Davidic king, which included his (mock) battle against evil nations (sometimes depicted as chaotic waters or terrible beasts), his suffering and (near) death at the hands of these enemies, his redemption/resurrection by God’s aid, his victory over all enemies, triumphal procession and enthronement. These descriptions are based on scholars’ interpretations of the Psalms, with comparisons to what we know of the New Year/Enthronement festivals of other Ancient Near Eastern cultures. If you’ll bear with me, I’ll provide here some of the further proposed details of the festival, as proposed by Eaton: